Arty Farty Lovey!

A good Boulevardier, however displaced, still views the arts as the air he breaths, and as such, I’m pleased to report a recent few days full of such activity.

I attended Boy George’s concert at the Queen Elizabeth Hall at the Southbank Centre earlier in the year when he trialled some new music. He mentioned that he would be doing some more concerts later in the year once the new album was released, and that is how I found myself at Koko, formally Camden Palace.

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It was a rather cold evening which is expected in November, but still a little disappointing. Dressing for a concert is never easy as there will invariably be queuing outside, but you want to be able to remove outer layers as the auditorium heats up, without either resembling the Michelin man, queuing for the cloakroom or having them all draped over your arm. I settled on punk zip black and white trousers with a half denim half jersey jacket (sleeves are jersey), desert boots and a long woolly scarf. The scarf kept me warm when queuing and could be tied around my midriff once inside the venue. I hope you are impressed with my foresight and practicality! I bumped into a few people I knew in the queue and was able to gossip the wait to enter away.

Once inside I purchased a warming and revitalising large red wine and looked for my friend Tony who was there with his brother. Camden Palace really is an amazing building. It was originally a theatre built in the early 20th century and became a music venue in the late 1970s. It hosted legendary nights by Steve Strange, and Madonna’s first UK gig. My first visit was in the late 1980s when it was a busy and innovative nightclub. We went for a friend’s birthday. The main area which had previously accommodated the theatre stalls was now a vast dance floor. The upper levels containing all the boxes were areas to sit, dance and drink. I am pretty sure there was also a massive inflatable pink pig which hung from the ceiling but this could have been the effects of the large quantities of sherry consumed.

The venue has been overhauled since my first visit but still retains a lot of charm, character and the essence of a theatre. The warm-up band came on and other friends of Tony arrived and I had the chance to meet the lovely, gorgeous and fun Fiona, Monique and Emma. We stayed together for the entire concert and danced, laughed, clapped and whooped at all the appropriate moments.

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Boy George was excellent. His voice has matured and sounds very different to the earlier Culture Club records. I like both. He looked great and oozed style from the stage and peppered his performance with witty (and sometimes slightly bitchy) quips. This is Boy George after all. The new tracks sounded great among the classics such as Church of the Poison Mind, Karma Chameleon, and Bow Down Mister.

The concert was all too soon over and we were on a high. It was a great time for further chat and to catch up with other friends I had seen in the queue earlier.

The following evening I was due to meet Tony again as we had purchased tickets to see Ferret Up The Arts starring Miss Eve Ferret with Hazel O’Connor and a couple of other performance artists. This was held at The Arts Theatre in the West End. After a day’s work I quickly preened and re-quiffed my hair and journeyed to central London to meet Tony for a drink before the show. We tripped down the outside steps to the basement which houses the private members’ Covent Garden Cocktail Club. After being validated at the entrance as worthy patrons we entered the dimly lit, atmospheric bar full with West End trendsetters and Boulevardiers. These however, didn’t look displaced.

Cocktails were two for one on a Monday evening and it would have been rude not to partake. We enjoyed several ‘London Calling’ which were gin, Fino Sherry, bitters with a strip of orange zest for garnish soaked glasses, at a high bistro style table. Even the route to the conveniences was signed by Old Gin Street. It is a secret haven and a great modern speakeasy hidden from tourists in the West End.

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The show was a powerhouse of Eve Ferret’s quirky brilliance. Eve called it a Fabaret and it certainly had her stamp all over it. A mixture of song, dance and anecdote where peignoirs are once again the height of fashion (as long as they’re nylon according to Eve), mange tout are scattered at the audience like confetti, as a life size child doll is passed by Eve to crowd surf. Hazel O’Connor joined Eve on stage for several numbers, which was a real treat. Hazel finished with Will You. Her voice still holds the melancholy tune and it was inspirational to hear her sing it in a smaller venue, having already enjoyed her at Chillfest in the summer. Crazy Horses with Hobby-horses as props was genius.

This is what theatre really should be about – live cabaret steeped in tradition and talent, brought up-to-date. It hits you between the eyes and makes you sing along, laugh out loud and jump from your seat to applaud louder at the end of each number.

We had bumped into a couple of other friends; Jon and Paul, who seemed to have consumed a few more cocktails than Tony and I and we chatted with them in the upstairs bar after the show when all the performers (aside from Hazel who had an early recording session the following day) came to say hello. Eve is as engaging and witty in person as she is on stage a true West End diva. High on the evening, and after another drink, we said our goodbyes and travelled back to our various corners of London totally sated.

So the next day, fortunately not working, I awoke in my cold bedroom, lit a fire and climbed back into bed with a warming, revitalising cup of Assam tea and decadently watched the flames jump as they warmed the room. All Tuesdays should be days for just staying in bed, don’t you think?

TNW

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